In the late 1950s, Gibson was boldly pushing the envelope on electric guitar design. The effort resulted in several models that were just too far ahead of their time to sink in with players of the day—the Flying V and Explorer being cases in point — and were gone from the catalogue by 1960. The ES-335 however was an instant classic, embraced by blues, rock, country and jazz players the world over. By 1960, this model was really hitting its stride though it was certainly a year of transition for the iconic model.

In the beginning of 1960, the ES-335TDs were built to the same specs as the 1959 versions and were offered in only Natural and Sunburst finishes. By about midyear, neck specs began to change to a thinner and more elliptical feel and ultimately, production of the Natural ES-335TD would cease and the Cherry finish would take its place in the latter part of the year. It is this later version that many argue the 1960 ES-335TD’s features had settled into their optimum form. With a fast new neck profile, striking new “insert” or “reflector” tone and volume knobs, the ES-335TD still retained early-spec details such as the dot fingerboard inlays, a kind of “Mickey Mouse” double cutaway profile, full-length maple centerblock, and nickel-plated hardware that players have long seen as indicative of the model’s zenith.

All these and more are brought back to life in the Custom Shop 1960 ES-335TD, a reincarnation of one of the most legendary semi-hollow electric guitar of all time, handcrafted by Gibson Custom’s Memphis division to celebrate the model’s “golden anniversary”. For this year, Gibson Custom is offering the later 1960 “fast neck profile” version, the most unique of the year, and was available in Antique Vintage Sunburst, Antique Faded Cherry or Antique Natural finish, all aged in Gibson’s acclaimed VOS (Vintage Original Specs) process, and loaded with period-correct hardware including “insert” volume and tone knobs, double band tuners and a pair of accurate PAF-style 57 Classic humbucking pickups.

Semi-Hollow, Total Success: The original ES-335TD (“TD” for “thinline, double-pickup”) was a raging hit simply because it addressed so many different guitarists’ needs in one new design. The arched top and f-holes appealed to jazz and dance-band players who were still attached to the look of traditional Gibson “jazz boxes”, but who appreciated advancements such as a thinline, double-cutaway body. The maple centerblock that ran from neck tenon to end pin reduced feedback and provided the sharper, snappier tone that rock and roll and country players demanded, and also enabled the use of Gibson’s solid new Tune-o-matic bridge and stop-bar tailpiece pairing, which further aided tone and sustain. In one form or another, the ES-335TD (and its siblings, the ES-345 and ES-355) would land in the hands of Eric Clapton, Alvin Lee, Chuck Berry, B.B. King, Larry Carlton, and countless other groundbreaking guitarists.

Process: The Custom Shop 1960 ES-335TD is hand-finished in nitrocellulose in a process that closely replicates the finishing process applied to original ES-335s of the late ’50s and early ’60s. Like the great Gibson electrics made 50 years ago, this instrument is finished with minimum build-up, in an effort to produce a finish that breathes with the guitar and enhances natural resonance, and will age elegantly and naturally to continually enhance the appearance and tone of this reborn classic.

Surface Texture: The guitar is finished to a buffed gloss, but the VOS process applied afterward gives it a rich, naturally aged patina that results in somewhat less shine and more of a semi-satin texture in the final guitar.

Neck and Headstock: The neck of the 2010 Custom Shop 1960 ES-335TD is constructed from one solid piece of mahogany with a maple spline for improved strength and resonance. The luthiers in Gibson’s Custom Shop carefully select the grain orientation of the mahogany used for necks to optimize tone, stability and sustain.