The Dual Terror stands as a proud descendant of the revolutionary Tiny Terror, the amp that drastically altered the guitar world. Celebrated by Guitarist Magazine as 'the most significant guitar product in the last 30 years,' the Tiny Terror set the benchmark as the original compact amp head, continuing to define what all other low-wattage valve amps should aspire to be. Despite its discontinuation, the spirit of the Tiny Terror endures.

Boasting four EL84 valves, the Dual Terror head is the mightiest in the Terror series, offering 30 Watts of power and two channels of that renowned Tiny Terror sound - but with twice the headroom. Its straightforward power switching options and simple control panel make it an ideal 'plug and play' amp suitable for any stage.

The Dual Terror’s twin-channel preamp delivers a generous serving of the iconic Tiny Terror tone. Each channel's straightforward control layout, coupled with a master volume and tone control post-phase inverter, ensures that the amp's signature overdrive is always within reach, regardless of the volume.

The Tiny Terror Channel replicates the classic tone of its namesake, offering a spectrum from clean to crunch that is vibrant, lively, and rich in detail. The responsive Tone control and synergy with the EL84 power amp make it virtually impossible to dial in a bad sound, providing instant access to a wide array of classic Orange overdrive sounds.

The Fat Channel builds upon this acclaimed formula by adding warmth and a bit more gain. This distinct voicing is perfect for robust rhythm tones, prominent mid-range leads, or balancing different guitars in a live environment.

Equipped with four EL84 valves and robust proprietary transformers, the Dual Terror's 30 Watt power amp packs enough punch for any stage. It delivers pristine cleans with ample headroom, smoothly transitioning into that rich, crunchy, British overdrive. The amp's power is further customizable via a 4 Valve/2 Valve switch and Full/Half Power modes, reducing the output to 15 or 7 Watts without sacrificing the amp's responsive character, even at lower volumes.